Review by William Grabowski
To celebrate his new, improved torpedo, the engineer took his pirates to the movies.
Few novelists can create work that combines science, philosophy, art, and adventure into stories that shape the form and trajectory of emerging culture—popular and collective. The seminal cyberpunk anthology Mirrorshades (1986), assembled and edited by Bruce Sterling, introduced the wider world to William Gibson, Pat Cadigan, Rudy Rucker, John Shirley and others whose individual stars still burn bright. Sterling’s incisive take-no-prisoners Preface could be considered the Cyberpunk Manifesto, and it’s difficult to overestimate the movement’s influence—disruptive and liberating—on so-called hard science fiction and even the austere realms of post-postmodernism. Read more »